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| | Marche Lorraine |
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Tired of the same old Sousa marches on your program? "Marche Lorraine", by French composer Louis Ganne, has been adapted for the concert band from the original version for brass band by one of the best arrangers ever, Mark Williams. This well-known tune will be a welcome addition to any concert or festival program. Vive la marche!
More Information |  Difficulty 3 on a scale of 1 to 6 with 6 being the hardest.
Estimated Performance Time: 4:30
Technical Notes: The percussion parts are for snare drum, bass drum, crash cymbals, and triangle.
Louis Ganne (1862-1923) was one of the most popular composers of operettas and ballet music in France at the end of the 19th and beginning of the 20th century. He was a student of Cesar Franck and Jules Massenet. He also wrote piano music and many marches, of which "Marche Lorraine" remains the best known. This arrangement for concert band has been adapted from the original version for brass band. All markings follow those in the original as closely as possible. The vertical wedge (or marcato) accent (^) can be interpreted as harder than the standard accent (>), with a slight bell-tone effect (a decreased dynamic after the accent). This charming turn-of-the-century French march will add a touch of class to your next concert program.
Arranger(s): This piece was arranged by Mark Williams.
Composer(s): "Marche Lorraine" was composed by Louis Ganne.
Publisher: "Marche Lorraine" was published by Alfred Publishing Company.
Series: This piece was part of the series "Alfred's Concert Band Series".
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How to purchase this item: To purchase "Marche Lorraine", just click on the "Purchase Now" button above. You will then have the option of placing your order online or ordering by mail, fax or phone.
Return Policy: This product may be returned within 30 days of purchase for a full refund, excluding shipping charges.
Images for this band set:
| Front Cover | | Conductor Score | | Instrumentation |
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| Parts included:
| 1 | - | Full Score | | 5 | - | 1st Flute | | 5 | - | 2nd Flute | | 2 | - | Oboe | | 2 | - | Bassoon | | 4 | - | 1st B Flat Clarinet | | 4 | - | 2nd B Flat Clarinet | | 4 | - | 3rd B Flat Clarinet | | 1 | - | E Flat Alto Clarinet | | 2 | - | B Flat Bass Clarinet | | 2 | - | 1st E Flat Alto Saxophone | | 2 | - | 2nd E Flat Alto Saxophone | | 2 | - | B Flat Tenor Saxophone | | 1 | - | E Flat Baritone Saxophone | | 3 | - | 1st B Flat Trumpet | | 3 | - | 2nd B Flat Trumpet | | 3 | - | 3rd B Flat Trumpet | | 2 | - | 1st Horn In F | | 2 | - | 2nd Horn In F | | 2 | - | 1st Trombone | | 2 | - | 2nd Trombone | | 2 | - | 3rd Trombone | | 2 | - | Baritone T.C. | | 2 | - | Baritone B.C. | | 4 | - | Tuba | | 1 | - | Bells | | 3 | - | Percussion | | 1 | - | Timpani |
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Pasticcio means, quite literally, a musical work produced by borrowing bits of themes from various sources. In keeping with its definition, this composition offers the performers a wide variety of styles while, at the same time, limiting technical demands. Because of the variances in instrumentation among band ensembles, judicious care must be taken in matters of blend and balance.
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| Rocky Point Holiday | | Multiple Items Available
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This 1969 piece was Ron Nelson's first major work for band. It was commissioned for the University of Minnesota Band's Russian tour. "Rocky Point Holiday" was written in Rocky Point, Rhode Island while the composer was on vacation.
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